Monday, May 03, 2010

Monoprint



This is another stage along the way with the pieces of fabric I am working on after the two stages of immersion dyeing and manipulating using Jane Dunnewold’s recipe and later her stencilling technique.




 I bought some, expensive, Golden Liquid Acrylics and some open gel medium, following the idea suggested by Liz Berg in a free download from Quilting Arts. Unfortunately the packaging was so tight that I split the first minute bottle whilst opening the package - I patched it up, whilst still being aghast at how much I had paid for a tiny bottle of paint. You have to see this in light of the fact that I had just thrown out my old ‘glucky’ paints, most of which were acquired from charity shops, and the fact that I admit to being a mean Yorkshire woman.


 I have now found that a few drops of the paint go a long way. The resulting monoprints are great, in that the handle of the fabric is still nice and soft. When I have monoprinted on fabric previously I have used acrylics alone and the fabric has been difficult to stitch into, especially when machining and there is not much time to work on the marks before the paint dries.




The next Doodles workshop is on Wednesday 19th May 1-3pm and will be ‘Recycle/Reuse’ transferring images from old books to make a unique picture. Book by ringing 0118 981 1238.
My monoprint and stitch workshop is  available on HEN.

1 comment:

  1. Beautiful, and very complicated looking too. You have been working hard.

    I bought some books from the Sewing Group site you mentioned a while back. Very inspiring. Thank you. I have been practicing Sheesha and shibori.

    ReplyDelete

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